Codes, Ciphers. Secrets in plain. Writings. Plainly
sighted. Message. Unreceived.
Unknown. Unassumed. Un Real ised.
Hidden in plain. Sight.
How Many. You. Out There.?.
Have read that. Of Shakespeare. Shaking
Your Hands. So Ups. So Please.?. How
so many. So Shakes that. Be.?. Shaking
my mind. That of i, Shiro that is. Is that
now. Forsooth such Truths. So Deny.? To
Alls those. Bar few.?. One.?.
Have not so. Known.
The Truth within. Those shaky
in Our World. Legends
Yes, Virginia and Otherswise or not. So nomened.
Named Herein. There
In these wise rolling hills. Of Shakespearean
Prose. LandScapes and motivates. So assumed. Is in
The Shakespeare Folio of Writings.
In Code. Ciphered Messages. Lies. Within.
Unknown too. TO most. Now,
not You. No longer. Now. Now
What’s That Name.?.
Comes to mean. Much Mores. Than
just. Simple. Simply
stated. Within the Original Folio
Writings. The Author(s) inserted. In
Plains. Sightedness. Their- The Code.
From the VERY FIRST WORD.
This Code is ONLY in. Those that follow.
That Folio’s Original EXACT Lettering Ways. Means
then. Can and so. So be. Code Read. Then
YES In deed. Indeed Modern Printing
obscures. This Code. That Code
becomes lost and meaning. Less.
Due to preferred Printing Methods. Methodically
in a Seek and Search in Our World. Legends
tell. Tales to be read. Originally
prefer. Whenevers. So can. Pleased
By doing. So. You too. To will see. Much
more. Mores of what those
Ancient Ancestors, Scribes. So writ. Therein
Are in the Details. Detailed
Letterings so LOOK. AT CAREFULLY too. To
soon enoughs. So See. A Second Alphabet
TyþË k∃ĒPS BEiÑG. sO UsEÐ. There. Therein
as well so writ. How Many have read
Shakespeares King Richard. Stuff.?.
Wanna Have a. Bets.?.
No Clues encoded. In That.
The Modern Reprints of this. Tale.
Get the Book.
Grab, put in front of YOU. NONE
WILL. SO REVEAL. Now. Put in that. Front. In
what front is to me i, Shiro. In
this front of me is that Headpiece to too. To
The Shakespeare Folio. Of
KING RICHARD THE SECOND. The Quarto of 1597.
As Belows. Image Pair Shows. That
Tell of Treachery. Within. Within
The ORIGINAL FOLIO Ornamental/Headpiece/Frontispiece
Design is a Type of Scroll Motif. Almost Flowery
well as. As well
Symbols and Letters. Elongated, stretched Outs.
discerned. Within. That
Design. Designed to alert. One to. The
Whys, Hows. So Ciphered. Within. That Tale.
These. Those, ONLY so ins. Thems. Pertains
Folio Originalis and Copies Thereof
Btw’s is not a Mis-Spell. There
aboves. ‘Tis Hows. The Nomen.
Was Originally. So spelt. Sorta’. Of
Yore. A Lil’.
As begins. Aboves. The Belows
soon shows in Our World. Legends
of the Dramatic Arts. Show That. The
ORIGINAL PLAYS. Were so
Played. Outs. Anonymously. When First Public
exposure was so done. So done
under No Name. At Alls.
An Actor, firstly playing a bit Parts. A bits
Later. So nomened
with a name. Resonating. ‘Twas
so chosen. To Plays. Along.
With these. Plays by Association. Shakspere
Yet, He appears NOT A Writer. At Alls.
A Minor ShareHolder. In Company.
Lowly born. The City borne in. No Higher
Learning Institution, No College, No
University. No Tutors ever mentioned. Shakspere’s
Parents and Daughter noted
Illiterate it seems. Seemingly overs so and
looked by many… seeing not This Code. The
CipherS. Withins. Imaginings Selves to be so
clever to read. What was not. Even There. There
were NO PLAYS, WRITINGS AT ALLS. In this
W. Shakspere’s Estate.
Only thing of note =
a Silver Bowl. No Library, No Books. No
Notes. Nothing within. None.
Not even. A Pen.
A Writer steeped in the Classics.?. Yet
taught and knew, had. None.
A Writer of Several Languages… Yet
Illiterate too.?. So who Taught. These.?.
Aparts from THIS… The Great Folio then. There
Others Copies of such. Ones Works. None.?.
No Prose.?. Sonnets.?. Poems undone.?.
No Manuscripts unfin… No rejected.?. None.?.
No Drafts.?. None.?. None.
Just 6 examples of His Writings. Exist
today too. To be. Alls Signatures.?.
No Other. So Writ.?. Anywheres... None.?.
His Next Work.?. None.
Not hards. To so imagine in Our World. Legends
have become hit and. Myth.
Shakespeares Plays. Are NOT THIS Shakspere’s
per se. Say
this too. To be Understoods. In Our World. Legends
Tell. Tales that.
The Original Folio MUST BE VIEWED TO COMPREHENDs.
THERE IS A CODE. WITHIN. Thems. Therein
The usage of TWO+ ALPHABETS. Mores
subtle tweaks to LETTERINGS. Will be discerned. So.
Some use LOOPING… OTHERSWise, Places... do not.
The TYPESETS Being Used
DIFFERS. Times, Places. = ALLS CODE.
IN THE MAIN.
Ciphers Undones. Simply so. So
by selection/substitute. The Selective
Letters of the Code. Produces Messages. Massaged
too. At Times, Places. Many Refs…
MANY REFS. To One.
One that is. Known well as. As well
in Our World. Legends
by somes. Venerated
by Others. Unknowingly even. In Games.
A Man. Of Those
Shakespearean Times, Places. Placing
Hims too. To and so. So into. Context
in Our World. Legends
so Tell. Retell His Nomen. Thus
Way, Means. That
Sir Francis Bacon. Do Rise.
Posted. So Next: Next Part too. To Part Two that is.
The First Word.
Of this. One. Laying Bare. Shakespeare Ciphered
Code. A Selective. Peering Pieces puzzled outs. In
What’s That Name.?. Francis Bacon.
Please Feel Free. If So Inclined too. To
i, Shiro that is.
With Any Thoughts, Hints, Tips, Dreams.
If A Particular Legendary Theme or Our
World Legends. Is A Desire.
To Be So Writ. Herein.