In Our World. Legends were told. Oft.

So writ too. To, into Books that is. That is

why. Much, now Secret. Is Lost.

 

Times, Places. Of Yore. Means Ways

of… Telling. Tales

included Images, Intro’s. Prose

as well. Well as

most of The Books. Books ornately so. So

printed this. Purposely

What’s That

Name.?. Francis Bacon.

As shows. As Belows.

 

 

 

(Music Link)

 

Those elaborate Motif. Designs, lil’ Pics, Poems.

That adorn

OLDEN BOOKS. Usually so writ, copied. Hand Writs.

WERE THERE… FOR A PURPOSE.

 

Medicinal, Political, Religious, Alchemical,

Poetical, Dramatical too. To

Topics far, wide.

 

Many were ENCODED. IN CODE.

This BEGAN IN THESE. SYMBOLS.

Then ons too.

INTO THE TEXT.

 

‘Tis why many. Much Works

spent. On such as. The Bible Code, Torah,

Newton’s Codes, Tarot, Emerald Tablets,

Bembine Table. Mores. Moreovers those

 

Secrets of Alchemy and associated Recipes,

Herb Recipes of Yore. Mores. More

even unto. Into Poetry, Prose, Plays.

 

 

Yet get actually… nowhere… well,

only a Lil’.

‘Cos they only looks… At The Main Text.

Which USUALLY has been. Edited also. Whilst

 

The Pretty LIL’ Bits… UNSEEN…

UN REAL ISED. UNFACTORED. Ins.

Codes so elusive cos partials. Only seen,

understood.

 

That of the Da Vinci Code– a better. Approach.

Hints, Clues in Art, Text, Statuary too. To

be considered a Whole. Overviews. Where to

and bys. Those

 

Codes, Ciphers. These

Secrets of Yore were/are hidden

in Plain sight in BOTH Text and Images.

 

Within Olden Books:

The Motifs blended Letters or Subjects into

these Cover/Front/Border/Images

Designs which give well as. THE KEYS. TO

THAT CODE.

 

As well. Within the… Following Text(s). Texts

usually include a Clue also. So writ

alike this… For examples:

 

For those with an Ear, Eyes. Or

To see, Interest of thereof. Mores

Ways. Means

 

 

Modern Printing. Methods have exacerbated this Issue.

Abridgements, Arrangements, Edits, Translations.

ALLS JUMBLE THE CODE. SO MUCH.

 

Encryption of Secrets of Yore… like now…

used the THEN AVAILABLE TECHNOLOGY…

to do so too. To

 

Show. These Simple Ways

i, Shiro will simply. Show that.

Some Shakespeare.

 

The Original Folio of Shakespeares Plays, Sonnets

and so forth. Forthrightly or nots. ARE A PRIME

EXAMPLE of those. The LOST ENCRYPTION. ARTS.

 

THEY ARE CODED.

Alls Overs it seems. Seemingly

 

 

From THE BEGINS. Of The Book

unto Endeth well as. As well

 

Their Printing arranged by someone. Eminently

versed in those. Coded

Classics and such Secrets. In

Traditions. Of Yore. The Printing incorporated

 

Ciphers inbuilt… IF AND ONLY IF…

The Original Format, Spacings, Letterings-ALL.

ALL THE ORIGINAL BOOK/FOLIO so Followed.

 

Writers.

Of Yore.

Those Story Tellers in Our World. Legends

even insisted. ON NO CHANGES…

On and for. These Purposes.

 

That Code. Those. To Endure.

 

 

‘Tis why Gustavus Selenus. So writ, Published

His Epic. Volume ON CRYPTOGRAPHY. Lunæberg 1624. Many

such KEYS. Discussed. So writ Therein. Thereof

 

‘Tis why for example… IN THE ORIGINALS…

Folio.

Pg 153 of The Shakespearan Comedies is Numbered 151.

Pg 249… is 250… 250 is 251.

So The Code. Continues well as. As well

 

‘Tis why… TWO+ FONT TYPES USED ALSO. Also

Ciphered Code. Therein.

 

 

‘Tis why… In the First Part of King Henry the Fourth,..

THAT WORD… Francis… Appears overs, overs….

overs and up to… 33 times. 33. This

Number. Well Known. Of in many. Circles. Many.

 

‘Tis why… The FIRST

Piece of Prose… of the Folio.

Imaged Belows. This…

ADVICE…

Must be included. The Prose EMPHASIZES

 

“…To… TWO…”

 

The FIRST Word… Across is… To…

The FIRST Word… Down is… TWO…

 

 

Too and thus. To Two too… Go.

Follow that. Code.

 

‘Tis why… Then… In The Tempest,..

(…=…GOTO TWO…)

 

Act 1, Scene 2… So begins…

“Begun to Tell Me what I am, but stopt

And left Me to a Bootlesse Inquisition,

Concluding, stay: not yet…”

 

See The Code. Formings There.?. EnCiphered within.

Without such Keys. Lost, Nevers. To be

so

Known…

 

Will You.?. Remember this.

 

 

Ciphers abounds, arounds, abouts. Of Yore.

Codes Coded, encoded.

So molded, sculpted, painted. So writ well as.

Originally.

As well

 

Those Rare Old Memorabilia.

Those Arts. Of

Paintings, Statuary too. To these

Books. Oft. Contain worth

much more. Than Just. Words. Within.

Colored

 

Within. The Authors spent much

of their Times, Places. In Our

World.

Legends. So to Tell.

 

You.

 

 

Posted. So Next: Shall so. Be This: That

Jack’s Giant. Beanstalk. Stalking Giants.

 

Please Feel Free. If So Inclined too. To

Contact/Comment:..

i, Shiro that is.

With Any Thoughts, Hints, Tips, Dreams.

If A Particular Legendary Theme or Our

World Legends. Is A Desire.

 

To Be So Writ. Herein.

 

Till next…